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楼主 |
发表于 2014-11-11 19:56
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一个发烧友和SL讨论LXmini设计思路,虽然这个是贴在LXmini用户论坛里面的,但并无版权和设计细节,故转载如下。
After some emails mainly regarding the Design List:
http://www.linkwitzlab.com/Constant_dir ... _louds.htm
SL asked me to post my musings on the forum (for the benefit of others) rather than keep them in email form. I had a short conversation after adding some links to the Design List.
My response/questions in RED, SL in Bold
(I have added additional comments after SL's answers)
SL made the following comment (which prompted my questions):
SL: "Pluto sounds muffled to me in comparison to the LXmini. It must have been due to the Aura tweeter, but I am not sure what exactly was the cause."
So the following conversation happened (with my amateur speculation):
Hi Siegfried,
Thank you for your response, more idle musings that do not require any kind of reply:
Disregarding the hint of cardioid behaviour I wonder how FU10RB (with LX Mini style tube) and U22REX/P-SL would play on an LX521 style baffle. How that would compare to LX521, for a fully active three way solution, accepting lower output limitations.
SL: *** I would not add the diffusor and just leave out the tweeters. But why? I would expect acoustic benefits from such configuration. ***
I guess SL sees no benefit in experimentation with adding LX Mini style tubular diffusers to the LX521 baffle then.
Regarding LX Mini treble clarity maybe the lack of a crossover in the most important frequency range for directivity.
Perhaps the lower crossover frequency removes harmful distortions in upper mid and low treble caused by large excursions from the bass/mid cone, just as I found adding Pluto Plus to Pluto improved midrange clarity?
SL: *** I seriously doubt that ***
This makes sense, unsurprising response I guess considering SL's continuing development of open baffle, so it sounds like SL considers there is no subtle engineering trade offs here, or at least nothing that would be audible to human ear. Further consideration LX Mini upper treble is subjectively very smooth; if my suggestion here were to hold water then you would expect LX Mini upper treble to be inferior to Pluto but it isn’t. Again as with Pluto I do not miss the expensive tweeters I have used in the past. I had wondered if LX Mini might sound slightly rough (or lacking “air”) in the upper treble to younger ears but I hear no problems at all. As stated before the treble is subjectively superior.
To my ears adding Pluto Plus to Pluto removed a certain hardness from the sound of Pluto. LX Mini does not seem to need this at all.
SL: *** I think this is due to the radiation characteristics of the fullrange driver and its cone breakup behavior. This driver and its open baffle application make the difference in my mind. ***
For most of us I think this part can be taken as a given, the major part of the appeal of the speaker. A bit of OB performance that can work in a small room loudspeaker. I hope more Pluto builders will experience this.
When I added the bass units to LX Mini I found just more bass (and that the combo needs work). I barely miss them with LX Mini which I find strange.
SL: *** Note the intentional difference in stuffing and tuning of the woofer pipe. ***
I’m still using the Pluto 2.1 pipes and stuffing which were originally filled to 200g of stuffing per speaker; however I used 200g total per speaker of MDM-3 and some other lambs wool derived damping to make up the 200g and your LX-Mini stuffing instructions for MDM-3 would put the MDM-3 at just 130g per speaker –as opposed to 200g (per Acousta Stuf) - so perhaps my tubes are a little over damped? - all supposition without measurement.
I raised the coupler a little (and I have an additional mounting ring) so my tubes will still be a shorter than proper spec but the speakers sound really great. I’ve not detected any booming bass, just the opposite. However without measurements given that there will still be a small difference maybe you can take my comments regarding the bass with a pinch of salt. Come the good weather I should take them outside to measure them.
Perhaps some of your work coincides with the work of Earl Geddes. The directivity over 700 Hz being more uniform than Pluto......
Accepting that he does not want to illuminate the back wall at all he says:
“The response from 700 Hz to 7000 Hz is paramount”
“Above 700 Hz the polar response should be constant”
“Above 700 Hz the direct response and the power response must follow one another”
https://www.youtube.com/watch?v=fE2nWVwFT9k
SL: *** I agree, but not necessarily with the 700 Hz corner though it is near the upper limit of the ITD range of hearing. I suspect it is convenient for Earl, because his horn does not go lower. ***
Of course Geddes achieves 700 Hz upwards with an enormous 18” waveguide and he is openly uninterested in the pursuit of reproducing a convincing representation of an auditory scene of a concert hall event.
SL *** I am aiming for wider dispersion and more power into the reverberant field by using also the rear radiation, than Earl. He tends towards giant headphones at a distance. The LXmini is also somewhat like that. *** |
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